Drawing from Liva Lima's workshop, this project experimented with various methods to generate hand-generated type. As a result, producing a three-hand-generated type image series.
Generating hand-generated type underwater and layering of cellophane and holographic material allowed me to experiment with type in a fun way. This resulted in me developing a three image series of holographic hand-generated type appealing to the eye.
I experimented with overlaying, distortion, colour, reflection, and cutting with hand-generated type. I did this to present a sense of joy and authenticity. Out of all experiments, I chose 3 to be included in my series.
I edited the saturation, brightness, exposure, colour mix, and many other things about these photos using Photoshop.
Re-printed matter (2019) by Karl Martens contains overlaying of coloured type, which is visually engaging. Inspired by his use of colour, I will use holographic material layering behind the type on acetate to create a colourful mood.
Typography in Water(2010) by Jackkrit Anantakul places the type underwater, allowing the water's ripples to distort the type. Influenced by this distortion, I will incorporate this method as it provides a sense of tactility.
Light years (1999) by Michael Bierut overlays type through light exposure, inspired by this, I will overlay acetate paper to create this layering effect which provides a sense of transparency.
Anantakul, J. (2010). Typography in Water [Photograph]. Behance. https://www.behance.net/gallery/569080/Typography-in-Water
Bierut, M. (1999). Light Years [Poster]. SFMOMA. https://www.sfmoma.org/artwork/2015.746/
Light Years [Publication]. (n.d.). Perimeter. https://www.perimeterbooks.com/products/karel-martens-re-printed-matter
JESSICA LIANG 2022